I have worked to maintain and nourish my international artistic network, coming to the UK in the heat of the pandemic to finish my studies with new direction and purpose, with which I conducted a dissertation on Viking Reenactment as Temporal Harmony, and forged my thesis piece, the film project Bjárkansmál in the wilds of Yorkshire, England. I have since settled in Edinburgh to create and play a role in the country's arts, with my own taking on a Celtic tinge, exploring truths sown in animist thought, their adaptation to our epoch through arts, liminal spaces, and other forms of acting/action